Isabel MacCaffrey Award
The Isabel MacCaffrey Award – established in 1984 – recognizes the best scholarship in Spenser studies, and is named after the author of one of the most important books on Spenser, Spenser's Allegory: The Anatomy of Imagination (Princeton: Princeton University Press, 1976). The prize is awarded to the best article written on the Works of Edmund Spenser in the last two years in even years, and the best book written in the last two years in odd years. Honorable mentions are also made in some cases.
All publications in Spenser Studies are automatically considered for this prize, along with other relevant articles and essays when the prize is awarded to an essay; all books dedicated to Spenser’s life and works or with substantial sections on his works are considered when the book prize is awarded. The prize is usually judged by two judges drawn from the ISS executive committee rotating on a bi-annual basis. Equal consideration is given to all authors regardless of career stage. No winner of the MacCaffrey prize shall be eligible to win either award again within a five-year period.
Recipients receive an honorarium.
Past Winners
2018
Catherine Nicholson, “Against the Brydale Day: Envy and the Meanings of Spenserian Marriage,” English Literary History 83.1 (2016): 43-70.
2017
Syrithe Pugh, Spenser and Virgil: the Pastoral Poems (Manchester University Press [The Manchester Spenser], 2016).
2016
Thomas Ward, “Spenser’s Irish Hubbub,” English Literary History 81: 3 (2014): 757-86.
2015
David Scott Wilson-Okamura, Spenser's International Style (Cambridge: Cambridge University Press, 2013).
2014
Joe Moshenska, “The Forgotten Youth of Allegory: Figures of Old Age in The Faerie Queene,” Modern Philology 110: 3(2013): 389-414.
2013
Andrew Hadfield, Edmund Spenser: A Life (Oxford: Oxford University Press, 2012).
2012
Andrew Zurcher, “The Printing of the Cantos of Mutabilitie in 1609,” Celebrating Mutabilitie: Essays on Edmund Spenser’s Mutabilitie Cantos, edited by Jane Grogan (Manchester: Manchester University Press, 2010).
Honorable mention: Jane Grogan, “After the Mutabilitie Cantos: Yeats and Heaney reading Spenser,” from the same volume.
2011
Jane Grogan, Exemplary Spenser: Visual and Poetic Pedagogy in The Faerie Queene (Farnham: Ashgate Publishing, 2009).
2010
Ayesha Ramachandran, “Edmund Spenser, Lucretian Neoplatonist: Cosmology in the Fowre Hymnes," Spenser Studies 24 (2009): 373–411.
2009
Judith H. Anderson, Reading the Allegorical Intertext: Chaucer, Spenser, Shakespeare, Milton (New York: Fordham University Press, 2008).
2008
Jeff Dolven, Scenes of Instruction in Renaissance Romance (Chicago: University of Chicago Press, 2007); prize for best book published in 2005, 2006, or 2007.
David Landreth, “At Home with Mammon: Matter, Money, and Memory in Book II of The Faerie Queene,” English Literary History 73 (Spring 2006): 245-274.
2007
Not awarded.
2006
Joseph Campana, “On Not Defending Poetry: Spenser, Suffering, and the Energy of Affect,” PMLA 120 (2005): 33-48.
2005
A. C. Hamilton, ed., The Faerie Queene, by Edmund Spenser (Harlow: Pearson Longman Publishing, 2001).
Honorable mention: Elizabeth Fowler, Literary Character: The Human Figure in Early English Writing (Ithaca: Cornell University Press, 2003).
Honorable mention: Richard McCabe, Spenser’s Monstrous Regiment: Elizabethan Ireland and the Poetics of Difference (Oxford: Oxford University Press, 2002).
2004
Co-winners:
Harry Berger, Jr., “Archimago: Between Text and Countertext,” Studies in English Literature 1500-1800 43 (Winter 2003): 19-64.
Jennifer Summit, “Monuments and Ruins: Spenser and the Problem of the English Library,” English Literary History 70 (2003): 1-34.
2003
Not awarded.
2002
James Fleming, “A View from the Bridge: Ireland and Violence in Spenser's Amoretti,” Spenser Studies 15 (2001): 135-64.
2001
Tobias Gregory, “Shadowing Intervention: On the Politics of The Faerie Queene Book 5, Cantos 10-12,” English Literary History 67 (2000): 365-97.
2000
Jeff Dolven, “Spenser and the Troubled Theaters,” English Literary Renaissance 29 (1999): 179-200.
1999
Paul Suttie, “Spenser’s Political Pragmatism,” Studies in Philology 95 (1998): 56-76.
1998
J. Christopher Warner, “Poetry and Praise in Colin Clouts Come Home Againe,” Studies in Philology 94 (1997): 368-81.
1997
Elizabeth Fowler, “The Failure of Moral Philosophy in the Work of Edmund Spenser,” Representations 51 (Summer 1995): 47-76.
1996
Elizabeth Mazzola, “Apocryphal Texts and Epic Amnesia: The Ends of History in The Faerie Queene,” Soundings 78 (Spring 1995): 131-41.
1995
Craig Berry, “Borrowed Armor/Free Grace: The Quest for Authority in The Faerie Queene I and Chaucer’s The Tale of Sir Thopas,” Studies in Philology 91 (1994): 136-66.
1994
Mary Villeponteaux, “Semper Eadem: Belphoebe's Denial of Desire,” Renaissance Discourses of Desire, ed. Claude J. Summers and Ted-Larry Pebworth (Columbia: University of Missouri Press, 1993), 29-45.
1993
Richard Rambuss, “The Secretary’s Study: The Secret Design of The Shepheardes Calendar,” English Literary History 59 (1992): 313-35.
1992
Co-winners:
Linda Gregerson, “Protestant Erotics: Idolatry and Interpretation in Spenser’s Faerie Queene,” English Literary History 58 (1991): 1-34.
Dorothy Stephens, “Into Other Arms: Amoret’s Evasion,” English Literary History 58 (1991): 523-44.
1991
Kenneth Borris, “‘Diuelish Ceremonies’: Allegorical Satire of Protestant Extremism in The Faerie Queene VI.viii.31-51,” Spenser Studies 8 (1990): 175-210.
1990
Anne Fogerty, “The Colonization of Language: Narrative Strategies in A View of the Present State of Ireland and The Faerie Queene, Book VI,” Spenser and Ireland: An Interdisciplinary Perspective, ed. Patricia Coughlan (Cork: Cork University Press, 1989), 75-108.
1989
Jane Tylus, “Spenser, Virgil, and the Politics of Poetic Labor,” English Literary History 55 (1988): 53-77.
1988
Susanne Lindgren Wofford, “Britomart’s Petrarchan Lament: Allegory and Narrative in The Faerie Queene III.iv,” Comparative Literature 39 (1987): 28-57.
Honorable mention: Lauren Silberman, “The Hermaphrodite and the Metamorphosis of Spenserian Allegory,” English Literary Renaissance 17 (1987): 207-23.
1987
Gordon Teskey, “From Allegory to Dialectic: Imagining Error in Spenser and Milton,” PMLA 101 (1986): 9-23.
1986
Jacqueline T. Miller, “The Status of Fairyland: Spenser’s ‘Vniust Possession,’” Spenser Studies 5 (1985): 31-44.
1985
Russell J. Meyer, “‘Fixt in heauens hight’: Spenser, Astronomy, and the Date of the Cantos of Mutabilitie,” Spenser Studies 4 (1983): 115-29.